Professor of Philosophy
Contact Information1316 Campus Drive, 108 Friedl Building, Durham, NC 27708-0403
Toril Moi has three broad areas of interest: feminist theory and women's writing; the intersection of literature, philosophy and aesthetics; and ordinary language philosophy in the tradition of Wittgenstein, Cavell and Austin.
Toril Moi also works on theater. In her work on literature and theater she is particularly interested in the emergence of modernism in the late 19th century and early 20th century.
Her books include Sexual/Textual Politics: Feminist Literary Theory (1985; 2nd edition 2002), Simone de Beauvoir: The Making of an Intellectual Woman (1994; second edition with a major new introduction 2008); and What Is a Woman? And Other Essays (1999), republished in a shorter version as Sex, Gender and the Body (2005). She is the editor of The Kristeva Reader (1986), and of French Feminst Thought (1987).
In 2006, Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosphy, was published in English by Oxford University Press and in Norwegian by Pax Forlag (Oslo). The book won the MLA's Aldo and Jeanne Scaglione Prize for the best book in Comparative Literary Studies in 2007. It is now available in paperback.
Toril Moi now works on three projects: (1) The Emergence of European Modernism 1870-1914; (2) Femisist Theory and Women Writers; and (3) "Pictures of Language": on the vision of language in ordinary language philosophy. She also continues to work on Henrik Ibsen's plays.
Toril Moi enjoys working with students at all levels. She won Duke's Univeristy Scholar/Teacher of the Year Award in 1998, and the Dean's Award for Excellence in Mentoring of Graduate Students in 2008.
In her native Norway, Toril Moi writes a regular column for the cultural newspaper Morgenbladet.
Moi, T. “Ibsen’s Late Style.” In Henrik Ibsen, The Master Builder and Other Plays. Penguin Books, 2014.
Moi, T. “’Something That Might Resemble a Kind of Love’: Fantasy and Realism in Henrik Ibsen’s Little Eyolf.” In Understanding Love Through Philosophy, Film, and Fiction, Ed. Susan Wolfe and Christopher Grau, 185–208. London and New York: Oxford University Press, 2013.
Moi, T. “Access to the Universal: Language, Literature and the Humanities.” In The Critical Pulse: Thirty-Six Credos by Contemporary Critics, edited by Jeffrey Williams and Heather Steffen, 183–87. Columbia University Press, 2012.
Moi, T. “‘To Make them Other, and Face Them’: Literature, Philosophy and ‘La Femme rompue’.” In Women, Genre and Circumstance: Essays in Memory of Elizabeth Fallaize, edited by Margaret Atack, Diana Holmes, Diana Knight, and Judith Still, 11–24. Oxford: Legenda, 2012.
MOI, T. “ANOTHER COLETTE - THE QUESTION OF GENDERED WRITING - HUFFER,L.” French Forum 20, no. 2 (May 1995): 250–52.
MOI, T., and J. MITCHELL. “PSYCHOANALYSIS, FEMINISM, AND POLITICS, A CONVERSATION WITH MITCHELL,JULIET.” South Atlantic Quarterly 93, no. 4 (1994): 925–49.
Moi, T. “She died because she came too late…" knowledge, doubles and death in thomas's tristan.” Exemplaria 4, no. 1 (January 1, 1992): 105–33. https://doi.org/10.1179/exm.19126.96.36.199. Full Text
Moi, Toril. “Simone de Beauvoir's L'Invitée: an existentialist melodrama.” Paragraph 14, no. 2 (July 1991): 151–69. https://doi.org/10.3366/para.1991.0012. Full Text
MOI, T. “Review. Subject to Change: Reading Feminist Writing. Miller, Nancy K.” French Studies 45, no. 1 (January 1, 1991): 112–112. https://doi.org/10.1093/fs/45.1.112. Full Text
MOI, T. “Review. Politics, Philosophy, Culture: Interviews and Other Writings 1977-1984. Edited with an introduction by Lawrence D. Kritzman. Foucault, Michel.” French Studies 44, no. 3 (July 1, 1990): 370–370. https://doi.org/10.1093/fs/44.3.370. Full Text
MOI, T. “BOOKS OR SPINNING-WHEELS - ON WOMEN, PHILOSOPHY, ET-CETERA - FRENCH - LEDOEUFF,M.” Tls the Times Literary Supplement, no. 4549 (June 8, 1990): S13–S13.
MOI, T. “SEXUAL SUBVERSIONS - 3 FRENCH FEMINISTS - GROSZ,E.” Tls the Times Literary Supplement, no. 4549 (June 8, 1990): S13–S13.